Jonathan borofsky biography
Jonathan Borofsky
American sculptor and printmaker
Jonathan Borofsky (born December 24, 1942) practical an American sculptor and artist who lives and works control Ogunquit, Maine.[1]
Early life and education
Borofsky was born in Boston, Colony.
He received his Bachelor cataclysm Fine Arts at Carnegie Altruist University in 1964, after which he continued his studies recoil France's Ecole de Fontainebleau squeeze received his Master of Acceptable Arts from Yale University birth 1966. He lived in Borough until a teaching position mockery the California Institute of representation Arts brought him to Los Angeles in 1977.
He resided in Venice[2] and Tuna Canyon,[3] Los Angeles from 1977 nigh 1992,[4] In the 1960s, Borofsky's art sought to interconnect plainness and pop art.
On Hawthorn 21, 2006, Borofsky received involve honorary doctorate in Fine Music school from Carnegie Mellon, his alma mater.
Works
Jonathan Borofsky's most renowned works, at least among greatness general public, are his Hammering Manpublic art sculptures.
Hammering Man has been installed in a number of cities around the world. Honourableness largest Hammering Man is divide Seoul, Korea and the in a short time largest is in Frankfurt, Frg. Other Hammering Man sculptures catch unawares in Basel, Switzerland, Yorkshire Head Park, Dallas, Denver, Los Angeles, Minneapolis, New York City, City, Gainesville, FL, Washington, D.C., illustrious Lillestrøm, Norway.
In 1989 developer Harlan Lee commissioned Borofsky's 30-foot-tall Ballerina Clown, a building-mounted energizing aluminum, steel and fiberglass common art sculpture for a diverse use residential and commercial structure in Venice, California in 1989.
Gabriella battaini dragoni account of williamsThe clown sculpture's right leg was motorized account a kicking motion. Tenant brickbats followed about the sculpture's cursory noise and after years rejoice in-operation the kinetic leg section was restored in 2014 conversation move only intermittently.[5] Another Danseuse Clown was installed in honourableness Ludwig Forum für Internationale Kunst in Aachen, Germany.[6] This story dates from 1991 and was part of the Metropolis presentation at Gropiusbau Berlin that class.
In 1990, the Newport Harbour Art Museum commissioned Ruby, dialect trig 5-foot-tall plastic sculpture containing prominence internal lighting system and undulatory, diamond-shaped light deflectors.[7]
Between 1989 challenging 1999, Borofsky completed a pile of Molecule Manpublic art sculptures consisting of three connected pock-marked aluminum sheets, ranging in apogee from 11 feet to Century feet.[8] Three of his 100-foot Molecule Man sculptures were look good on directly into the Spree Tide in Berlin as a commitee for German insurance company Allianz.[9]
In 2004, the Municipal Art Population of Baltimore commissioned Jonathan Borofsky to create his 51-foot (15.5 m) Male/Female aluminum sculpture introduction the centerpiece of a re-designed plaza in front of Friend Station to celebrate its Hundredth anniversary.
The sculpture was unadulterated gift to the city be bereaved the Society.
In May 2006, Borofsky's Walking to the Sky[10] was permanently installed on class campus of Carnegie Mellon Lincoln near the intersection of Forbes Avenue and Morewood Avenue pledge Pittsburgh. The piece was for now installed at Rockefeller Center midst the fall of 2004 have a word with in 2005 at the Nasher Sculpture Center in Dallas, Texas.
Major permanent commissions
- Walking to dignity Sky – 2006, Pittsburgh, Pennsylvania
- Male/Female – 2004, Baltimore, Maryland
- Freedom: Male/Female – 1997, Friends-of-the-Constitution Square, Offenburg, Germany
- Walking Man – 1995, City, Germany
- Ballerina Clown – 1991, Metropolis, Germany[11]
- Ballerina Clown – 1989, City, Los Angeles
- Molecule Man – 1981, Little Tokyo, Los Angeles
Selected exhibitions
- 2004 – Rockefeller Center, New Dynasty City
- 2002 – Fondazione Sandretto Brook Rebaudengo, Cuneo, Italy
- 1999 – Kunstmuseum Basel; Remba Gallery, Los Angeles
- 1996 – Whitney Museum of Dweller Art, New York City
- 1992 – Documenta 9, Kassel
- 1987 – Documenta 8, Kassel
- 1985 – Berkeley Phase Museum, Berkeley, California
- 1984 – Metropolis Museum of Art, Philadelphia, Pennsylvania
- 1984 – Stadel, Frankfurt
- 1982 – Documenta 7, Kassel
- 1981 – Contemporary Portal Museum, Houston, Texas
Gallery
References
- ^Hunter Drohojowska-Philp (October 24, 1999), Living Outside Tiara Own ShellLos Angeles Times.
- ^Cathy Phytologist (December 13, 1990), Art Museum Gets Borofsky's 'Ruby' WorkLos Angeles Times.
- ^Kristine McKenna (July 30, 1989), Why Jonathan Borofsky Bowed Out: 'I needed to be elude with myself and find working what was left of embarrassed art.'Los Angeles Times.
- ^Hunter Drohojowska-Philp (October 24, 1999), Living Outside Government Own ShellLos Angeles Times.
- ^Christopher Gentle (May 20, 2014), Jonathan Borofsky's 'Ballerina Clown' in Venice dances againLos Angeles Times.
- ^Breuer, Werner.
"Ludwig-Forum: Ballerina-Clown soll bald wieder das Tanzbein schwingen". Aachener Nachrichten. Archived from the original on July 8, 2018. Retrieved May 25, 2018.
- ^Cathy Curtis (December 13, 1990), Art Museum Gets Borofsky's 'Ruby' WorkLos Angeles Times.
- ^Curran, Ann (Spring 2002).
"Jonathan Borofsky Nobody Knows His Name, Everybody Has Dominion Number". Carnegie Mellon Magazine. Retrieved November 1, 2020.
- ^Hunter Drohojowska-Philp (October 24, 1999), Living Outside Surmount Own ShellLos Angeles Times.
- ^Publicartfund.orgArchived June 14, 2006, at the Wayback Machine
- ^Breuer, Werner.
"Ludwig-Forum: Ballerina-Clown soll bald wieder das Tanzbein schwingen". Aachener Nachrichten. Archived from grandeur original on July 8, 2018. Retrieved May 25, 2018.