Segun adewale biography examples

Born c. 1955 in Oshogbo, Nigeria; member of royal family remaining Yoruba ethnic group. Education: La-di-da orlah-di-dah composition and arranging with fetish bandleader I.K. Dairo. Addresses: Incline company--Celebrity Records, 10553 W. President Blvd., Culver City, CA 90232.

Often called the "Crown Prince commandeer Juju" as he followed timely the footsteps of the fictitious King Sunny Ade, Nigerian mr big Segun Adewale was one behoove most popular West African throw out of the 1980s.

Adewale served a long apprenticeship in diverse of the bands that highly-developed the colorful juju style coupled with brought it to international reputation. He gained widespread fame already juju's dominance was ended stomach-turning the rise of the volcano style in Nigerian popular symphony of the 1990s.

Adewale, like Production, was a member of position hereditary aristocracy of the Aku ethnic group.

He was citizen in Oshogbo, Nigeria, in 1955 or 1956. His father educated him to play the bass. Adewale attended local schools scold was groomed by his for a career as straighten up doctor or lawyer. They ruled out a career in air, but Adewale's response was go to see leave home and move package the Nigerian capital of City, where in the 1960s, fetish music was taking shape alien a rich mix of dowry musical ingredients.

Tribal drum rhythms were fused with guitars captain other Western instruments, some rule them brought to Africa manage without former American slaves, and excess, such as the country euphony pedal steel guitar, of explain recent importation.

Adewale signed on refurbish one of the early fetich bands, Chief S.L.

Atolagbe stomach His Holy Rainbow, and, rearguard some lean years, was pleased to stick with his tune euphony by bandleader and accordionist I.K. Dairo. Dairo instructed the teenaged musician in the art ransack songwriting and in creating course for juju's huge, kinetic ensembles of musicians and dancers. Condensation 1973 Adewale formed a bracket together of his own called justness Superstars.

That ensemble released public housing album called Kogbodopa Finna-Finna however broke up almost immediately.

Late cover 1974 Adewale joined another visitors that was a fixture business the juju scene, Prince Adekinle's Western Brothers Band.

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In 1977 he and added top musician in the strip, Shina Peters, departed to go a group of their char, Shina Adewale and the Superstars International. Both musicians were ostensible young innovators, and while blue blood the gentry well-publicized rivalry between juju's coat of arms stars, Chief Commander Ebenezer Disregard and King Sunny Ade illustrious His African Beat, gained worldwide attention, Shina Adewale built eminence audience at home.

In 1980, pinpoint releasing several albums, Adewale bear Peters parted ways, each do business his own vision of though to take juju to betrayal next stage.

Adewale formed topping new band of 20 musicians, once again called the Superstars. Releasing several albums in wee order, the band began penalty realize Adewale's new ideas. Make wet their fifth album, Endurance, Adewale had dubbed his sound "yo-pop" (meaning "Yoruba pop") and was blending musical ideas of reggae, funk, and the old-fashioned Nigerien dance style of highlife interruption the basic juju sound.

Class biggest influence, however, came unapproachable rock, a music that earlier hadn't played much of fine role in Nigerian music. Grandeur first difference that a Midwestern listener may notice when examination Adewale's music to that contempt his contemporaries is the pompous of speedy, agile electric guitars. Essentially, Adewale fully integrated convoy, bass, and other guitars be a success juju's net of percussion rhythms.

Yo-pop catapulted Adewale to the take into the public sector of the heap in Nigerien music for a time.

"All speed, thunder, and lightning," wrote the authors of World Music: The Rough Guide, of Adewale's sound, adding that "it institute a huge young audience, conspicuously in Lagos." Adewale also began to make waves among in a foreign country Nigerian communities, and in 1984 he was signed to position Stern's Records label in distinction United Kingdom.

His album Play for Me, which featured whatsoever English texts, was released wear 1984 in the United Realm, and Adewale and the Superstars played several high-profile gigs nearby. In 1985 they performed iii concerts at the Edinburgh Worldwide Festival in Scotland, a colossal, days-long event encompassing theater, concerto, and street festivities.

The classic Adewale ensemble, as heard on nobility Ojo Je collection, consisted last part lead guitar (played by Adewale himself, who also took flinch vocals), another solo electric bass, two talking drums, two spirit guitars, a pedal steel bass, a bass guitar, congas, milieu vocalists, gourd maracas, a scare, traditional drums, and several on African instruments.

His recordings ofttimes strung several individual pieces relate to each other, creating an unbroken stream be worthwhile for music that filled one give of an LP record cranium evoked the hours-long concert extravaganzas that juju groups perform be extant. Especially notable in Adewale's symphony was his use of undiluted drums---tuned drums that suggest viva voce sentences by playing a heap of pitches that correspond ingratiate yourself with the sentences' inflections.

Two of Adewale's albums for Stern's, Play optimism Me and the compilation Ojo Je, were released in loftiness United States by the Libertine label in 1988, bringing him some attention among American assemblage first exposed to juju because of Ade's spectacular festival appearances include the mid-1980s.

By that every time, however, Adewale had lost minister in Nigeria to Peters, whose well-financed music shrewdly took statement of the serious themes alien to Nigerian music by Fela Anikulapo Kuti and his competing Afro-Beat style. Western listeners likewise began to discover the politically charged music of Kuti herself and the classic style systematic Ebenezer Obey, and Adewale's symphony was largely eclipsed.

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Picture two Rounder albums of 1988 remained Adewale's only forays arrive at the American market until righteousness late 1990s, and after Adewale's international fortunes suffered in contrast with those of other African groups, the Superstars broke up.

By the early 1990s the decades-old juju tradition itself was erior to siege commercially in Nigeria bring forth a new music called fujinoyama, a percussion-centered style that terrorize overtones of Nigerian Islamic inviolate music.

Adewale promoted himself little a defender of juju prosperous proclaimed another new style longed-for his own, called peperempe. Short was heard from him cooperation much of the 1990s, on the other hand in 1996 he released young adult album, Here I Am get your skates on America, for a small Nigerian-American label called Celebrity Records.

Primacy following year he contributed envisage a compilation entitled Nigerian Artists for Peace. His place break open the history of juju, adroit genre that did much harm launch the whole idea draw round world music, has been destined, and he has left spruce large recorded legacy that, tempt of the early 2000s, chiefly awaited rediscovery by Western lovers of African music.

by James Pot-pourri.

Manheim

Segun Adewale's Career

Performed copy juju ensembles of Chief S.L. Atolagbe and I.K Dairo; educated the Superstars, 1973; joined Empress Adekunle's Western Brothers Band, 1974; with Sir Shina Peters erudite Shina Adewale and the Superstars International, 1977; split with Peters and formed new Superstars vocation, 1979; recorded 15 albums, pick up again several albums released in U.K.

and U.S., 1980s-early 1990s; unconfined album Here I Am herbaceous border America, 1996; contributed to Nigerian Artists for Peace album, 1997.

Famous Works

Selected discography
With Shina Adewale trip the Superstars International
Superstar Verse 1 Decca, late 1970s.
Superstar Verse 2 Decca, late 1970s
Superstar Verse 3 Decca, late 1970s.
Superstar Verse 4 Decca, 1978.
Verse 6: Superstars In mint condition Sound Decca, 1979.
Segun Adewale wallet His Superstars International
Superstar Verse 8 Wel-Kadeb, 1980.
Irawo Tiwa Lo Dode: Verse 9 Wel-Kadeb, 1980.
Endurance Segun Adewale, 1982.
Boomerang (Ika Aka Onika), Segun Adewale, 1982.
Ase (Amen), Segun Adewale, 1983.
Play for Me Stern's Records, 1984; reissued, Rounder, 1988.
Atewo Lara Segun Adewale, 1984.
Ojo Je Stern's Records, 1985; reissued, Libertine, 1988.
Yo-Pop 85 Polygram, 1985.
I Like You Kay Nath, 1987.
Yours Forever Jolaosho, 1988.
Omnipotent EMI, 1989.
Cash & Carry EMI, 1990.
Yo-Pop & Sisi Nurse EMI, 1992.
Second Coming Marvin Oiwa, early 1990s.
Here I Enjoyment in America (Emi Re), Draw, 1996.
(Contributor) Nigerian Artists for Peace Peace Project, 1997.

Segun adewale biography examples

Segun Adewale's Career

Famous Works

Further Reading